Sunday, 6 April 2025

Brief reflections on “Good Night and Good Luck”

 

Brief reflections on themes and characters in

“Good Night, and Good Luck” (2005)

Directed by George Clooney

Written by Grant Heslov and George Clooney

Starring David Strathairn, George Clooney, Robert Downey Jr.,

Patricia Clarkson, Frank Langella et al.

 


Our film touches on themes such as friendship, relationships in the 1950s workplace, pressures (financial and political) involved in operating a television channel, the potential effects of maintained criticism based on vindictive character assassination rather than reasoned disagreement, and the place of television as a tool for informing the watching public and even inspiring it to think, rather than simply produce bland entertainment. However, at its core, this is the story of the discord between respected TV journalist and presenter Ed Murrow and Senator Joseph McCarthy who led the infamous House Un-American Activities Committee in the 1950s.

Ed Murrow and his small team of journalists present fact-based, coherent programmes of compassionate integrity that investigate and challenge topics of social and political interest.

In one broadcast, they challenge the precision, veracity and methods of Senator McCarthy who responds by levelling various defamatory accusations at Murrow rather than respond to the points made in the offending programme. Murrow is able to refute each point made by McCarthy and in so doing reveals and highlights McCarthy’s tactic of using lies, insinuation and baseless accusations, offering no proof or evidence to support his assertions, as he depends on the creation of anxiety and fear, and appeals to a sense of national pride in order to gain political influence.

With heartfelt, convincing performances and carefully constructed script and direction, George Clooney delivers an intelligent plea for integrity, principle and standards in public life and politics. As I write this, I hear Mr Clooney has adapted his film for a theatrical run on Broadway. Perhaps he feels the themes and purpose of his film remain as relevant now as they were in the 1950s…

My thanks for taking the time to read this article. I hope you found it of some value.

Stuart Fernie (stuartfernie@yahoo.co.uk)

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